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    <loc>http://www.paealeach.com.au/works</loc>
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    <lastmod>2023-02-20</lastmod>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
      <image:caption>Performed with dancer Rhiannon Newton and performer, political poet and artist Candy Royalle.  Keir Choreographic Award 2016 at Dancehouse, Melbourne VIC.  Vimeo link Candy Royalle  Images: G.Lorenzutti for KCA/Dancehouse 2016.</image:caption>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1621333127008-C0B5CYTRABFHF5JZKT69/Screen+Shot+2021-05-18+at+8.18.27+pm.png</image:loc>
      <image:title>Recent Works - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1621333523531-P1ZIWV2GX40PEL3NT9K1/Screen+Shot+2021-05-18+at+8.13.40+pm.png</image:loc>
      <image:title>Recent Works - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1517971199419-YE6F8Q66AQS7QYZPII9D/20160427-GL-keiraward2016-1344.jpg</image:loc>
      <image:title>Recent Works</image:title>
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      <image:title>Recent Works - the lines of birds</image:title>
      <image:caption>the body surges the body rests the body fights/moves/sleeps the body loves the body shakes the body aches the body folds/transforms/opens    </image:caption>
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      <image:title>Recent Works</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1569831004235-TVX0KLLQ4SJXOQO8XM7G/Difficult+Comedown-23+%281%29.jpg</image:loc>
      <image:title>Recent Works - The Difficult Comedown</image:title>
      <image:caption>Two women carry and haul, run, wait – and consider: what’s clearly necessary, right now? Each asks with all that she is. In duet the women age the body, expand it, injure it. They change. The dance dwells in an ecosystem of seasonality, a rhythm of work that allows the women to persist in unsentimental relationship to the earth. Meanwhile, they don’t have to take care of each other – but they do. The Difficult Comedown is interested in shared resilience and the labour of women. It considers a new epoch beyond the Anthropocene, past human predominance on earth. Borne of long-embodied knowledge, and compelled by wilfulness, this is performance from the ground up: an immersion in slow change. Premier at Dance Massive, Meat Market, Melbourne 2019. https://vimeo.com/337409402 (trailer) https://vimeo.com/337409402 (full-length show)</image:caption>
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      <image:title>Recent Works</image:title>
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      <image:title>Recent Works - these things we hold</image:title>
      <image:caption>A solo about the nature of performance and vulnerability. A work made half way through recovery from a debilitating injury - able to move, unable to 'dance'. Caught. A solo underscored by questions of 'enoughness', inadequacy, expectations of resilience and the impossibility of that.</image:caption>
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      <image:title>Recent Works - Babylon</image:title>
      <image:caption>1. The others Upholster my very cheer, go on, that's what we are waiting for smear it in a black that's blacker than black because out that window, as the moon faces crack a thought, it all seems so painful maybe they will sit on this settee alongside me soil their linen pants because the black always rubs off that blacker than black   2. Pin hole mercy  the surface seemed so complete one big lick with the tongue and the whole thing was covered nothing left behind, nothing new ahead save one small mercy poking through infinite sounds like disco, and that always make the rhythm simple cause everything is trying to understand the human spirit with endless chatter give em a steel strap   3. Babylon first there were wooden ones now they are metal and wave in the wind, hello those monstrosities that poke through the ceiling of sense looking for love maybe, or a face to cover their own a big mask, horny like a goat's or troglodyte's but if we go flat, parallel even scoop up all the slack, smother it dead maybe, we can hold hands and shimmy to the little tat, tat, tittle  toast the hosts of our own stupidity   Text by Dr Jodie Mc Neilly and Paea Leach and integrated as a type of 'choral singing' into the sound score.  A collaboration between Dr Jodie McNeilly, classical composer Adrain Kingwell and Paea Leach. Presented at Sydney Conservatorium of Music for Dance Meets Music 2014.</image:caption>
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      <image:title>Recent Works - Immerse</image:title>
      <image:caption>A dance work made strongly between myself and the six (student) dancers. We worked with sensorial immersion and the spectrum of extremes able to be touched in the body with this as the focus. We worked with being honest, 'radically present', and awash with one's own sensorial scores that accumulate and disappear or empty out.  What remains when you are touched too much? Can the body be thrown?  What is the sensation of everywhere at once?</image:caption>
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  <url>
    <loc>http://www.paealeach.com.au/projects</loc>
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    <priority>0.75</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:title>Dance Practices</image:title>
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      <image:title>Dance Practices - divided</image:title>
      <image:caption>Choreography Jo Pollitt, Perth 2013.  Vimeo link</image:caption>
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      <image:title>Dance Practices</image:title>
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  </url>
  <url>
    <loc>http://www.paealeach.com.au/about</loc>
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    <priority>0.75</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1517972902240-01RDXTWO2F9PR71BPYNE/IMG_8334_.JPG</image:loc>
      <image:title>About</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/8d95f4da-17a3-4109-ac03-c4c8e13f6960/Paea.Elephant.jpg</image:loc>
      <image:title>About - Make it stand out</image:title>
      <image:caption>Photograph - still image from Paea with cubes, Riddells Creek, 2021, directed by Siobhan Murphy.</image:caption>
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  </url>
  <url>
    <loc>http://www.paealeach.com.au/homepage</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2026-01-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55f7b2a5e4b07229ccbc7e74/1517970174338-5CV8AFA6RDDZA0FTW87Z/KEIR_GL+Photo.jpg</image:loc>
      <image:title>Homepage - &gt;dance artist &gt; osteopath &gt;&gt; &gt;writer &gt;</image:title>
      <image:caption>Keir Choreographic Award, 2016. Dancehouse, VIC. Image: G.Lorenzutti</image:caption>
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  <url>
    <loc>http://www.paealeach.com.au/read-me</loc>
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    <priority>0.75</priority>
    <lastmod>2025-11-11</lastmod>
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      <image:title>Contact</image:title>
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